本栏目:【平面设计理论】 | 内容为:课程选录: 电视艺术导论; 当代艺术 批评导论;数码成像导论;现代西方视觉文化;电影研究导论;世界电影批评方法;视觉人类学导论;电影与媒介理论;电影与媒介史专题;媒介之间:艺术、媒介与文化;大众媒介与通 |
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二、视觉文化研究英文文献选目
Barnard, M. Art, Design and Visual Culture(《艺术、设计与视觉文化》),London: Macmillan, 1998.
Baudrillard, J. Simulacra and Simulation(《仿像与模拟》), New York: Semiotex(e), 1983.
Berger, J. Ways of Seeing(《看的方式》),London: BBC Publications, 1972.
Best, S. & D. Kellner. The Postmodern Turn(《后现代的转向》), New York: Guilford, 1997.
Bourdieu, P. The Field of Cultural Production: Essays on Art and Literature(《文化生产场:论文学与艺术》), Cambridge: polity, 1993.
Bourdieu, P. Photography: A Middle?brow Art(《摄影:中产阶级的艺术》), Oxford: Blackwell, 1996.
Bourdieu, P. The Love of Art: European Art Museums and Their Public(《热爱艺术:欧洲美术馆与其公众》), Oxford: Blackwell, 1997.
Brothers, C. War and Photography: A Cultural History(《战争与摄影:文化史》), London: Routledge, 1996.
Bryson, N. Vision and Painting: The Logic of the Gaze(《视觉与绘画:注释的逻辑》), New Haven: Yale University Press, 1981.
Bryson, N. et al. eds. Visual Theory(《视觉理论》), Cambridge: Polity, 1992.
Bryson, N. et al. eds. Visual Culture: Images and Interpretations(《视觉文化:形象和解释》), London: Wesleyan University Press, 1994.
Buck?Morss, S. The Dialectics of Seeing: Walter Benjamin and the Arcades Project(《看的辩证法:本雅明与拱廊计划》),Cambridge: MIT, 1989.
Burgin, V. In/Different Space: Place and Memory in Visual Culture(《在/不同空间:视觉文化中的地点与记忆》),Berkeley: University of California Press, 1996.
Cary, J. Technology of the Observer: On Vision and Modernity in the 19??th? Century(《发现者的技术:论19世纪的视觉与现代性》), Cambridge: MIT 1993.
Chambers, I. Popular Culture: The Metropolitan Experience(《流行文化:大都市的体验》), London: Routledge, 1986.
Cohen, S. Vision of Social Control(《社会控制的视觉》), Cambridge: Polity, 1993.
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